Critical Library: John Updike

by Eric Banks | Oct-03-2009


Each week, the NBCC will post a list of five books a critic believes reviewers should have in their libraries. We recently heard from three-time NBCC winner (and four time finalist) John Updike, whose 1983 book, “Hugging the Shore,” will be the focus of this week’s In Retrospect essay and posts. Last year, we posted Updike’s rules for reviewing, from his 1975 volume, “Picked Up Pieces.” It is still the most linked to post on this blog. Today he publishes a new volume of criticism, “Due Considerations: Essays and Reviews.” In the meantime, here are the volumes he recommends:

Mimesis
, by Erich Auerbach: a stunningly large-minded survey from Homer and the Old Testament up to Woolf and Joyce. Quoting a lengthy paragraph or two from each classic, Auerbach gives us an essential history of, as his subtitle has it, “the Representation of Reality in Western Literature.”

Aspects of the Novel, by E. M. Forster: a jauntier survey, that casually drops into its series of lectures—“informal, indeed talkative, in their tone,” as Forster admits—insights and strictures that have lost nothing in freshness since their utterance at Trinity College

in 1927.

T.S. Elliot’s criticism, whether in his Essays on Elizabethan Drama or To Criticism the Critic or in selections made by Frank Kermode or John Hayward: no one gives the same severe yet diffident impression as Eliot, unfailingly pulling from his sleeve a startling, indeed impudent, new slant.

If Edmund Wilson’s bulk of reviews and articles had to be reduced to one exemplary volume, I would pick Axel’s Castle, in which the still-youthful critic tackles, with his customary clarity of exposition and firmness of opinion, the central texts of a modernism that, as of 1931, still baffled and infuriated many of his learned contemporaries.

Sade/Fourier/Loyola, by Roland Barthes, translated by Richard Miller: among Barthes’ many ingenious and adroit volumes, the one that most convinced me, at least during the reading, that structuralism is a marvelous method that will unlock all locks—“a matter of receiving from the text a kind of fantasmatic order.”

And, if you want a sixth, Criticism: the Major Texts, edited by Walter Jackson Bate: a double-column compendium of all the usual suspects from Aristotle on, prepared by Professor Bate as a textbook but useful even to post-graduates.

John Updike was born in 1932 in Shillington, Pennsylvania. He graduated from Harvard College in 1954 and spent a year in Oxford, England at the Ruskin School of Drawing and Fine Art. From 1955 to 1957 he was a member of the staff of the New Yorker, and since 1957 has lived in Massachusetts. He is the father of four children and the author of more than fifty books, including collections of short stories, poems, essays, and criticism. His novels have won the Pulitzer Prize (twice), the National Book Award, the National Book Critics Circle Award, the Rosenthal Award, and the Howells Medal. A previous collection of essays, Hugging the Shore, received the 1983 National Book Critics Circle Award for criticism.




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